Login-SignUp
When this window closes, an email will be sent to the entered account to confirm your registration. If you do not receive the verification or reset email, please check your Spam Folder.
I expressly agree that publishers may contact me. My email will not be distributed or used in other media. I can revoke this declaration of consent at any time by means of a new message.
I have read and accept the privacy policy
I agree to receive information.
President Of The Globe Elisa Roep -soprano voice Alec Kopyt - voice, percussion Tobias Klein - alto sax, (bass-)clarinet, electronics Albert van Veenendaal - prepared piano, sampler Meinrad Kneer - double bass A combination of composed, improvised and electronic music with the prose and poetry of the Russian futurist poet Velimir Chlebnikov (1885-1922).Velimir Chlebnikov was born in 1885 in Tula and died in 1922 in a remote village in the Novgorod province from blood poisoning. Associated with the Russian futurist movement, he is seen as belonging to the vanguard of modern poetry and he influenced a great number of poets.Sound plays a most important role in his vision on language in general, and this creates the opportunity to create a musical counterpoint to it.One of his language concepts he called ‘Zaum’, ‘metaphysically meaningful nonsense’. The sound of the root of a word inspired him to connect it to a multitude of different meanings. He distinguished between the language of the birds, the language of the gods, the language of the stars, transmental language, the decomposition of words, sound language and the language of madness.
President Of The Globe
Elisa Roep -soprano voice Alec Kopyt - voice, percussion Tobias Klein - alto sax, (bass-)clarinet, electronics Albert van Veenendaal - prepared piano, sampler Meinrad Kneer - double bass
A combination of composed, improvised and electronic music with the prose and poetry of the Russian futurist poet Velimir Chlebnikov (1885-1922).Velimir Chlebnikov was born in 1885 in Tula and died in 1922 in a remote village in the Novgorod province from blood poisoning. Associated with the Russian futurist movement, he is seen as belonging to the vanguard of modern poetry and he influenced a great number of poets.Sound plays a most important role in his vision on language in general, and this creates the opportunity to create a musical counterpoint to it.One of his language concepts he called ‘Zaum’, ‘metaphysically meaningful nonsense’. The sound of the root of a word inspired him to connect it to a multitude of different meanings. He distinguished between the language of the birds, the language of the gods, the language of the stars, transmental language, the decomposition of words, sound language and the language of madness.
Do you want to be part of this list?